Silent treatment

Devil Music Ensemble adds new soundtracks to classic films

By KRISTIN PROULX
Monitor staff


Jonah Rapino is a soundtrack critic. So when he and his Boston-based band, the Devil Music Ensemble, got together to create a musical backdrop for the classic 1919 silent film The Cabinet of Dr. Caligari, they ignored the movie's existing sounds, a sequence of abstract string quartet pieces Rapino proclaimed colorless. Instead, the three musicians matched the film with a combination of folksy melodies, haunting violin and electronic creepiness.

During Rapino's favorite musical moment, the movie's sleepwalking murderer is making his way to the home of the fair damsel Jane. As he sneaks and stalks, the Devil Music Ensemble raises the fear quotient.

"We came up with something very scary and intriguing and rhythmically moving," said Rapino. "It does raise the hairs on the back of your neck, but there's an underlying song underneath."

Dr. Caligari, a German film boasting a dreamlike set and a mysterious plot, is the latest silent movie to receive an original Devil Music Ensemble soundtrack. The band is in the midst of a two-month East Coast tour of their live accompaniment to the movie. Usually, they play at small movie theaters, but when a fan suggested they try the Annicchiarico Theatre in Concord, Rapino and his band-mates jumped at the chance to set up their own film projection equipment and perform in a "real" theater. The Devil Music Ensemble will make its Concord debut next Thursday night.

The ensemble - Rapino on electric violin, vibraphone and bass; Brendon Wood on guitar, lap steel, synthesizer, banjo and accordion; and Tim Nylander on percussion - came together three years ago after meeting at a Boston record store. Together, they share a love for a wide range of music, including eastern European folk tunes, classi-

cal compositions, country music and sound design.

In the past two years, the band has composed several original soundtracks to silent films, including the surrealist movie The Blood of a Poet, Charlie Chaplin's Modern Times and The First Films of the Lumiere Bros. Soundtracks tie together the musicians' love of old films, their interest in multiple musical genres and their passion for writing music.

When the musicians wanted to try a spookier movie score, friends recommended Dr. Caligari, the story of a carnival showman (Dr. Caligari) who exhibits Cesare, a fortune-telling somnambulist who sleeps by day in a coffin and walks by night. But when people around Dr. Caligari's small German town begin disappearing, a young man named Francis begins to suspect Cesare of more evil deeds.

To compose the soundtrack, Rapino, Wood and Nylander set up a film projector in their practice space, turned on Dr. Caligari and started playing. Along the way, they recorded their improvisational efforts, then reviewed the tapes to see which melodies, rhythms and themes worked best with the film. Sometimes, the character of their music was inspired by the images on the screen. At other points, the music became its own creature, said Rapino.

"There are cues in the movie as to what you can do. If you have a scene where they're at a funeral, you're going to play funeral music," he said. "For a lot of scenes, there aren't cues for what you should play. You just kind of fill in the gaps."

The trio's goal, said Rapino, was to create a soundtrack that was both unique and tied to the film's visual style, not "haphazard" like some movie scores.

A good soundtrack should not overpower the film itself, but should influence how the audience reacts to different scenes and characters. That manipulation is Rapino's favorite part of performing live.

"After a while, the audience totally forgets about us," he said. "We absolutely become this emotional trigger. That's one thing I love, making those decisions that definitely affect the audience's response."

When Rapino watches movies for fun, it's often the music he remembers most. Though he dismisses a lot of soundtrack efforts as ineffective or too random, Rapino does have some favorites. The music in films like Amelie and Delicatessen is "amazing," he says, and Eraserhead wouldn't be nearly as scary if its eerie soundtrack were any different.

The group's next project will be a score for the Western movie Big Stakes. Rapino has already snubbed the existing soundtrack, which includes a lot of full string orchestration and player piano. The Devil Music Ensemble will substitute some banjo and old fashioned country songs, the kind of music the movie's characters themselves might like to hear during a game of poker.


The Devil Music Ensemble will play its Dr. Caligari soundtrack next Thursday night at 7:30 at the Annicchiarico Theatre in Concord. Admission is $7.