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| download
advert pamphlet |
| format: DVD, 16mm, and 35mm |
| movie running time: 1:20 |
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performers
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| Tim Nylander: drums, percussion, synth,
& bells |
| Jonah Rapino: electric viola, vibraphone,
& synth |
| Brendon Wood: guitar & synthesizer |
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IMDB message board about DME's score to Dr.
Jekyll & Mr. Hyde
Adolph Zukor presents JOHN BARRYMORE in "Dr. Jekyll
and Mr. Hyde" By Robert Louis Stevenson. Scenario by Clara S. Beranger.
Directed by John S. Robertson. Photographed by Roy Overbaugh.
Art Directors: Robert M. Haas, Architecture; Charles Seessel, Decorations.
Cast: John Barrymore, Brandon Hurst, Martha Mansfield,
Charles Lane, Cecil Clovelly, Nita Naldi, J. Malcolm Dunn,
George Stevens, Louis Wolheim, & Alma Aiken.
"Dr. Jekyll (John Barrymore) is a London doctor, progressive
in his medical research, conservative and repressed in his personal
life. A friend encourages him to explore the underside of life with
a visit to a London music hall. Dancer Nita Naldi arouses Jekyll's
repressed sensibilities, and when she embraces him, the doctor runs
off. Later, Jekyll speculates on the advantage of separating the two
natures of man in different bodies- one could "yield to every evil
impulse, yet leave the soul untouched." Jekyll's scientific passion
leads him to a formula that brings out his other side, Mr. Hyde, a
man without a conscience.
The initial transformation scene is deservedly famous, achieving its
power solely with Barrymore's expressive features. Visually, Barrymore's
Hyde is not a monster, but the physical result of the effect of a
dissolute life. Hyde becomes more decrepit as the film progresses,
while Jekyll's goodness falters. Hyde pursues women, stealing their
honor, while his alter ego Jekyll is uncomfortable even with his fiancee.
This distinct duality is further developed when Hyde's depravities
get worse and worse, and the two sensibilities begin to become less
distinct.
The scenario goes to the essence of the story: the thin line between
good and evil in the same person, and the inevitable conflict between
the two. On an unconscious level, the film is also about different
classes in the same city. The behavior of the working class Hyde is
considered strange, but acceptable, until he attacks someone from
the upper class (the father of Jekyll's fiancee). Just as Hyde allowed
Jekyll to indulge in forbidden pastimes, the movies allowed Barrymore
to indulge his upscale and downscale sensibilities. As a measure of
the star's versatility, while this film was in production during the
day at Paramount's New York studio, John Barrymore was starring as
Richard III on Broadway each evening."
1997 David Pierce |
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